Take full control of your Chase Bliss Reverse Mode C pedal like never before.
Our editor gives you a complete, clear overview of the Reverse Mode C pedal and unlocks all hidden features, no dip switches, no manual diving, no guesswork. Design complex patches in seconds, explore all FX and sequencer options, and see exactly what’s happening under the hood.
Perfect for studio and live use, the editor lets you remotely control your Chase Bliss Reverse Mode C pedal, automate every parameter via MIDI or your DAW, and capture your best sounds as presets. Save them to disk, recall them instantly, or store them directly into the pedal when preparing a live set.
The interface is resizable for better visibility and includes an onboard help system with small explanations for every parameter. Your settings are always recalled when reopening the app, so you can jump straight back into sound design.
The Reverse Mode C editor is available in two versions:
Standalone macOS app for direct control and studio workflows (no Windows version)
Max for Live device for seamless integration with Ableton Live on both macOS and Windows.
Whether you’re crafting beautiful textures, preparing a detailed live setup, or pushing the Reverse Mode C pedal far beyond its front panel, our editor turns a powerful pedal into a fully transparent creative instrument.
Deep editing. Fast workflow. Total control.
Both Lost+Found and Reverse Mode C editor for Max for Live
Both Lost+Found and Reverse Mode C editor for macOS
• Chase Bliss Audio Reverse Mode C Pedal*
• Chase Bliss Audio MIDIbox (or equivalent)
• Midi interface
• Midi cable
• Apple Mac Intel OS X 10.15 or later
• Apple Mac Silicon OS 11.0 or later
• Chase Bliss Audio Reverse Mode C Pedal*
• Chase Bliss Audio MIDIbox (or equivalent)
• Ableton Live 10 or higher (Mac or Windows)
• Max for Live licence (Suite comes standard with M4L)
• Midi interface
• Midi cable
(* Works with both the 2023 and 2025 model.)
We are not affiliated with Chase Bliss. However we think their pedals are awesome and love using them.
This is because it is way more work to create a standalone app than it is to create a Max for Live device.
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